Suzuki Harunobu 鈴木 春信
Japanese, 1725 (?)-1770
The Evening Bell of the Clock (Tokei no bansho), from the series "Eight Views of the Parlor (Zashiki hakkei)"
INV-8897
Suzuki Harunobu 鈴木 春信
Japanese, 1725 (?)-1770c. 1766
The Evening Bell of the Clock (Tokei no bansho), from the series "Eight Views of the Parlor (Zashiki hakkei)"
Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770 →Japanese (culture or style)woodblock printprint
Date
c. 1766
Medium
Color woodblock print; chuban
Dimensions
28.5 × 21.7 cm (11 1/4 × 8 1/2 in.); Mat: 63.5 × 40.7 cm (25 × 16 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
Clarence Buckingham Collection
Also notable
Works in the same vein
Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858
Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858
