Suzuki’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Beauty Under an Umbrella in the Snow
Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770
The Heron Maiden
Ise, from an untitled series of Thirty-six Immortal Poets
Double-Flowered Cherry: Motoura of the Minami Yamasakiya (Minami Yamasakiya uchi Motoura, Yaezakura), from the series "Beauties of the Floating World Compared to Flowers (Ukiyo bijin hana ni yosu)"
Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)"
Shirabyoshi Dancer Standing in Asazuma Boat
Eight-Platform Bridge (Yatsuhashi), from the "Tale of Ise (Ise Monogatari)"
The Evening Bell of the Clock (Tokei no bansho), from the series "Eight Views of the Parlor (Zashiki hakkei)"
A Young Woman in a Summer Shower
Meeting on the River (parody of Hakurakuten)
Two Young Women Reading Books
Sumirena: The Mistress of Yojiya (Yojiya musume, Sumirena), from the series "Beauties of the Floating World Compared to Flowers (Ukiyo bijin hana ni yosu)"
Poem by Sojo Henjo, from the series "Six Famous Poets (Rokkasen)"
Giving Daruma a Smoke
Minamoto no Shigeyuki, from an untitled series of Thirty-Six Immortal Poets
Courtesan Writing a Letter as Two Men Watch through a Window Lattice
The Snow-Clogged Geta
Young Women Playing Cat's Cradle
Attributed to Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770
The Love Letter
The Poetess Ono no Komachi