
Remarkable in its delicacy of execution, Hans Bol’s design for the print of the same subject exceeded the needs of the collaborating printmaker. In addition to the clearly articulated compositional elements, Bol introduced a differentiated color scheme. Tones of brown wash add volume to the animals in the ornamental frame while a gray-scale dominates the central scene. This use of color did not translate to the single-ink color of the related engraving, suggesting that Bol made his preparatory drawing to fulfill his artistic ideals as draftsman, regardless of practical function.

Diana and Her Nymphs with the Ox Hunt
With a scene after an engraving by Adriaen Collaert (c. 1560–1618) after Hans Bol (1534–1593), Ox Hunt Brussels

Pluto and Proserpina with Falconry
After an engraving by Adriaen Collaert (c. 1560–1618) after Hans Bol (1534–1593), Falconry Woven at the workshop of Erasmus I de Pannemaker (c. 1565–1620 or later) Brussels