Adriaen’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Diana and Her Nymphs with the Ox Hunt
With a scene after an engraving by Adriaen Collaert (c. 1560–1618) after Hans Bol (1534–1593), Ox Hunt Brussels

Judgment of Paris
Adriaen Collaert, II Flemish, 1560-1618

Neptune as a River God, plate two from The Judgment of Paris
Adriaen Collaert, II Flemish, 1560-1618

The Fall of Icarus, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Abraham's Sacrifice of Isaac, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1534–1593) published by Anna van Hoeswinckel (Flemish)

Pharaoh's Daughter Finding Moses, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

The Baptism of Christ, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Minerva
Adriaen Collaert, II Flemish, 1560-1618

The Parable of the Good Samaritan, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Boar Hunt, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

The Sending Out of the Apostles, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Pluto and Proserpina with Falconry
After an engraving by Adriaen Collaert (c. 1560–1618) after Hans Bol (1534–1593), Falconry Woven at the workshop of Erasmus I de Pannemaker (c. 1565–1620 or later) Brussels

Hare Hunt, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Bear Hunt, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Jacob's Dream, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

The Mocking Children Cursed by Elijah and Eaten by the She-Bear, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

The Enemy Sowing Tares Among the Wheat, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Venus
Adriaen Collaert, II Flemish, 1560-1618

Christ and the Disciples in the Field, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)

Lot and His Daughters, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Adriaen Collaert (Flemish, c. 1560–1618) after Hans Bol (Flemish, 1535–1593) published by Anna van Hoeswinckel (Flemish)