
Although he was renowned as a painter, Théodore Géricault feared that he could never rival the work of his predecessors. Thus, he embraced the invention of lithography in the late 18th century as an opportunity to become the master of a new medium. Here Géricault used the lines of the building to frame the young girl’s despair at the plight of the older woman.

Entrance to the Adelphi Wharf, plate 11 from Various Subjects Drawn from Life on Stone
Jean Louis André Théodore Géricault (French, 1791-1824) printed by Charles Joseph Hullmandel (German and English, 1789-1850) published by Rodwell and Martin

Pity the Sorrows of a Poor Old Man!... plate 2 from Various Subjects Drawn from Life and on Stone (The English Suite)
Jean Louis André Théodore Géricault (French, 1791-1824) printed by Charles Joseph Hullmandel (German and English, 1789-1850) published by Rodwell and Martin