Jean’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Head of a Guillotined Man
Jean Louis André Théodore Géricault (French, 1791–1824)
The Return from Russia
Théodore Géricault French, 1791-1824
Entrance to the Adelphi Wharf, plate 11 from Various Subjects Drawn from Life on Stone
Jean Louis André Théodore Géricault (French, 1791-1824) printed by Charles Joseph Hullmandel (German and English, 1789-1850) published by Rodwell and Martin
Turkish Cavalier in Combat
Jean Louis André Théodore Géricault French, 1791-1824
Pity the Sorrows of a Poor Old Man!... plate 2 from Various Subjects Drawn from Life and on Stone (The English Suite)
The Rescue of the Survivors of the Raft of the Medusa
Wagon Laden with Wounded Soldiers
Jean Louis André Théodore Géricault (French, 1791-1824) printed by Charles Étienne Pierre Motte (French, 1785-1836)
Horses Exercising, plate 6 from Various Subjects Drawn from Life on Stone
Boxer Facing Right and Two Men Wrestling
Prancing Horse
Follower of Jean Louis André Théodore Géricault (French, 1791–1824)
Pity the Sorrows of a Poor Old Man!... plate 2 from Various Subjects Drawn from Life on Stone
Sketches: Reclining Nude, Man Supporting the Body of
The Coal Wagon, plate 7 from Various Subjects Drawn from Life on Stone
A Paraleytic Woman, plate 9 from Various Subjects Drawn from Life and on Stone (The English Suite)
A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone
Jean Louis André Théodore Géricault (French, 1791-1824) printed by Charles Joseph Hullmandel (German and English, 1789-1850)
Sketches of a Horse
Seven Sketches of Pairs of Boxers
Swiss Sentry at the Louvre
General of the First Empire Giving his Cavalry Orders to Charge