Pierre’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Wounded Lioness
Pierre Andrieu (French, 1821-1892)

Tiger Resting
Pierre Andrieu (French, 1821-1892)

Study of a Nude Figure and a Faun
Attributed to Pierre Andrieu (French, 1821-1892) formerly attributed to Eugène Delacroix (French, 1798-1863)

The Lion Hunt
Pierre Andrieu (French, 1821-1892)

Laureted Portrait Bust of a Man
Pierre Andrieu (French, 1821–1892)

Pierre de Montarsis
Gérard Edelinck (French, born Flanders, 1640-1707) after Antoine Coypel (French, 1661-1722)

Portrait of Jacques Nicolas Colbert, Archbishop of Rouen
Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659-1743)

Pierre Dupuis, Painter to the King
Antoine Masson (French, 1636-1700) after Nicolas Mignard (French, 1606-1668)

Two Sisters (On the Terrace)
Pierre-Auguste Renoir (French, 1841–1919)

Earthly Paradise
Pierre Bonnard French, 1867–1947

Parallèlement (In Parallel)
Pierre Bonnard (French, 1867-1947) poetry by Paul Verlaine (French, 1844-1896) printed by Imprimerie Nationale (French, 20th century) published by Ambroise Vollard (French, 1867-1939)

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Pierre-Auguste Renoir (French, 1841–1919)

Woman at the Piano
Pierre-Auguste Renoir (French, 1841–1919)

Lunch at the Restaurant Fournaise (The Rowers' Lunch)
Pierre-Auguste Renoir (French, 1841–1919)

Chrysanthemums
Pierre-Auguste Renoir (French, 1841–1919)

Seascape
Pierre-Auguste Renoir (French, 1841–1919)

Near the Lake
Pierre-Auguste Renoir (French, 1841–1919)

The Eruption of Vesuvius
Pierre-Jacques Volaire (French, 1729–1799)

The Seine at Vernonnet
Pierre Bonnard French, 1867–1947

Alfred Sisley
Pierre-Auguste Renoir (French, 1841–1919)