Cherubino Alberti

Saint Jerome in the Desert

Cherubino Alberti (Italian, 1553-1615) after Michelangelo Buonarroti (Italian, 1475-1564)

Sketchbook

Cherubino Alberti (Italian, 1542-1615) or a follower

Minos and Demons, from the Last Judgment

Cherubino Alberti (Italian, 1553–1615) after Michelangelo Buonarroti (Italian, 1475–1564)

Three Column Capitals

Giovanni Battista Piranesi (Italian, 1720-1778) style of Cherubino Alberti (Italian, 1553-1615)

Putto with Club of Hercules

Marco Marchetti, called Marco da Faenza (Italian, c. 1526-1588) or Raffaellino Motta, called da Reggio (Italian, 1550-1578) or Bartolomeo Schedoni (Italian, 1578-1615) or Circle of Cherubino Alberti (Italian,

Standing Putto (recto); Saint Jude the Evangelist (verso)

Recto in the Style of Alberti Cherubino (Italian, 1553-1615) Verso by Unknown Artist (Italian, 18th century)

Man on Rearing Horse, Seen from Behind

Style of Charles Parrocel (French, 1688-1752) or Cherubino Alberti (Italian, 1553-1615) or Antonio Tempesta (Italian, 1555-1630) or Guiseppe Cesari (Italian, 1568-1640)

Oratio Dominica Polyglotta Singularum Linguarum Characteribus Expressa et Delineationibus Alberti Dureri Cincta

Johann Baptist Stuntz (German, born Switzerland, 1753-1836) and Maria Electrine Stuntz (German, 1797-1847) after Johann Nepomuk Strixner (German, 1782-1855), after Albrecht Dürer (Greman, 1471-1528)

Red 4-7, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)

To the Paintbrush, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)

To the Palette, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)

Red 1-3, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)

Red 8-11, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)

Table of contents, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, born 1902) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)

Folio box, from A la pintura

Robert Motherwell (American, 1915-1991) published by Universal Limited Art Editions (American, founded 1955) written by Rafael Alberti (Spanish, born 1902)

Preface, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)

Black 1-3, from A la pintura

Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)