Robert Motherwell (American, 1915-1991)
written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003)
printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman
published by Universal Limited Art Editions (American, founded 1955)
To the Paintbrush, from A la pintura
INV-1221
Robert Motherwell (American, 1915-1991)
written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003)
printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman
published by Universal Limited Art Editions (American, founded 1955)1969, published 1972
To the Paintbrush, from A la pintura
Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955) →etchingprint
Date
1969, published 1972
Medium
Color soft ground etching with aquatint from one copper plate, with letterpress, on white wove paper
Dimensions
Image/plate: 25.4 × 40.6 cm (10 × 16 in.); Sheet: 64.7 × 96.5 cm (25 1/2 × 38 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
U.L.A.E. Collection acquired through a challenge grant of Mr. and Mrs. Thomas Dittmer; purchased with funds provided by supporters of the Department of Prints and Drawings; Centennial Endowment; Margaret Fisher Endowment Fund
According to John McKendry, former curator at the Metropolitan Museum of Art, New York, if nothing else survived of Robert Motherwell’s oeuvre save his A la Pintura, he “would still be seen as a major artist of the twentieth century.” Motherwell’s book of 24 unbound pages, with 21 mixed intaglio prints, “illuminates the poetry” of Raphael Alberti. After Robert Motherwell discovered Ben Belitt’s translation of Raphael Alberti’s A la Pintura (On Painting), Motherwell recalled, “I had found the text for a livre d’artiste, a text whose every line set into motion my innermost painterly feelings. . . . This poetry is made for painters, and this livre was made for the poetry. I meant the two to be wedded, as in a medieval psalter, but with my own sense of the modern.” Just as Motherwell was inspired by poetry, Alberti found constant source material in the visual arts. A la Pintura was his homage to the collection of master paintings in the Prado Museum in Madrid and was dedicated to his friend and fellow Spaniard Pablo Picasso.
Also notable
Works in the same vein
Red 4-7, from A la pintura
Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)
To the Palette, from A la pintura
Robert Motherwell (American, 1915-1991) written by Rafael Alberti (Spanish, 1902-1999) and translated by Ben Belitt (American, 1911-2003) printed by Donn Steward (American, 1921-1986); typography by Juda Rosenberg and Esther Pullman published by Universal Limited Art Editions (American, founded 1955)
