
This sketch and final print illustrate the artist’s working method. First, Inagaki Tomoo made a sketch in pencil that he later drew over in ink. He then laid the sketch face down on a wet block and rubbed it from the back to transfer the ink to the block, which he used as a guide for carving. Some of the ink outlines in the sketch have transferred onto the finished print, while other lines have been carved into the wood and therefore carry no color on the paper, as is the case with the contour of the cat’s leg.
Inagaki’s affection for geometric forms is apparent in this print, which has the quality of a stained-glass window. The print collector Oliver Statler, who knew the artist well, has written that there is only one cat in the print—the two heads represent the movement of the bathing cat.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858