After a design by Jan van Orley (Flemish, 1665–1735)
Woven at the workshop of Daniel IV Leyniers (Flemish, 1705–1770)
Brussels
Procession of the Fat Ox from a Teniers Series
INV-7326
After a design by Jan van Orley (Flemish, 1665–1735)
Woven at the workshop of Daniel IV Leyniers (Flemish, 1705–1770)
Brussels1729-1768
Procession of the Fat Ox from a Teniers Series
After a design by Jan van Orley (Flemish, 1665–1735) Woven at the workshop of Daniel IV Leyniers (Flemish, 1705–1770) Brussels →weaving - tapestrytextile
Date
1729-1768
Medium
Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameter: 0.8 mm
Weft: Count: varies from 22 to 48 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.5–0.8 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.3–0.8 mm; wool and silk: three yarns, one yarn of S-ply of two Z-spun wool elements and two yarns of S-ply of two Z-twisted silk elements; diameters: 0.6–0.9 mm
Dimensions
389 × 336.6 cm (153 1/8 × 132 1/2 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
Gift of Charles Zadok
This tapestry depicts peasants and townspeople leading an ox to be butchered for a feast in celebration of Shrove Tuesday (also known as Fat Tuesday), the last day before the start of Lent. A barmaid distributes refreshments outside a tavern named the Sign of the Cross, musicians lead the procession, and people skate and sled on the frozen ice, giving the scene a general atmosphere of revelry and mirth. Genre scenes of rural life were a popular theme for tapestries in 18th-century Europe, emphasizing the rustic charm of country living.