
Phaeton’s overweening ambition to guide his father’s chariot of the sun through the sky is recorded in Ovid’s Metamorphoses, as is the disastrous outcome of his attempt, here presented in a dramatic scene that captures the tumultuous moment of Phaeton’s being struck down by a thunderbolt from Zeus. The scalloped valance and matching side curtains that frame the scene link it to The Arrival of Telemachus on Calypso’s Island. The two tapestries are part of a Story of Telemachus suite based on François Fénelon’s Adventures of Telemachus (Les Aventures de Télémaque; 1699), which was originally written as an ethical guide for the education of Louis, Duke of Burgundy (1618–1712), the grandson and heir of Louis XIV (r. 1643–1715). Phaeton’s story—particularly his death, as depicted in this tapestry—conveys the consequences of youthful intrepidity and pride, and like the tapestries’ source material, offers viewers a powerful moral lesson.

Lady Elizabeth Montagu
James McArdell (Irish, c. 1728-1765) after Sir Joshua Reynolds (English, 1723-1792)
![Psyche's Entrance into Cupid's Palace [right fragment] from the Story of Psyche](https://www.artic.edu/iiif/2/820dd6a7-172e-ea8f-a7b0-9804a45467d5/full/400,/0/default.jpg)
Psyche's Entrance into Cupid's Palace [right fragment] from the Story of Psyche
After a cartoon by François Boucher (1703–1770) Woven at the Manufacture Royale de Beauvais (French, founded 1664) under the direction of André Charlemagne Charron (French, director 1754–80) France, Beauvais
![Psyche's Entrance into Cupid's Palace [left fragment], from The Story of Psyche](https://www.artic.edu/iiif/2/52033d0b-894e-b7d7-e729-00c5187dbbd4/full/400,/0/default.jpg)
Psyche's Entrance into Cupid's Palace [left fragment], from The Story of Psyche
After a cartoon by François Boucher (1703–1770), 1737–39 Woven at the Manufacture Royale de Beauvais under the direction of André Charlemagne Charron (director 1754–80) France, Beauvais