
This young geisha has been caught in a private moment, absorbed in checking her hairstyle in front of a mirror. The volume of her figure and the depth of the image were intended to appeal to international audiences that preferred such realism. The print is inscribed with the word shihitsu (trial drawing), marking this work as the first collaboration between Itô Shinsui and the publisher Watanabe Shôzaburô, who had spotted the artist’s painting of this image and approached him as a partner.
The printer Ono Gintarô used the edge of his round, flat baren (a disk-shaped tool) to create swirling lines throughout the background. The rich red color that dominates this composition was achieved with natural dyes rather than the chemical-based aniline dyes favored in earlier prints from the Meiji period (1868–1912).

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858