
This colorful print shows an engraved black-lacquer box and a red-lacquer sake cup with myriad characters. The box is inscribed “long life sake cup,” and the cup is covered with the many different versions of the character for “long life” (kotobuki). There were traditionally 100 variations of this character, emphasizing this number as the ultimate in longevity.
The host of this print was the poet, author, and essayist Kameda Hozan. Many examples of large-scale surimono by Shibata Zeshin exist; he must have set up a large establishment in order to cater to orders from poets and intellectuals. Since Zeshin was engaged in many official commissions in other media and had a large group of apprentices, he probably left most of the details of surimono production to his apprentices.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858