
This portrait was done as a tribute to Hagiwara Sakutaro one year after the poet’s death. The dark tones and wrinkled skin of the subject make for a disturbing image, which is in keeping with Hagiwara’s tendency toward depression brought on by the realities of war. This portrait has been hailed as one of the most powerful prints produced by a 20th-century Japanese artist, and several other editions were later printed in 1949 and 1987.
Included on this finished print are Onchi Koshiro’s notes on the printing process to his fellow artist Sekino Junichiro. The additional set of prints shows the steps involved in attaining the completed image that Sekino printed from blocks made by his mentor.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858