
While living in Paris from 1959 to 1964, Nancy Spero embarked on a series of Black Paintings, including Great Mother Birth. These labor-intensive canvases took months to complete as Spero repainted and stained surfaces with turpentine-soaked rags. In this workthe profile and torso of a four-breasted woman emerges from an atmospheric field of darkness blended with muted pinks, browns, and grays. As it shifts between revealing and concealing, the painting foregrounds a commanding female presence, which re-mained central to Spero’s work for the rest of her career.