
This sculpture of the crucified Christ reportedly came from a church in Banyoles in northeastern Spain. It was displayed between the choir and the nave, which was the space reserved for the congregation. Originally painted and gilded, it would have provided a dramatic focal point for the faithful. Christ’s figure, with drooping head, closed eyes, and limp body, emphasizes his humanity and suffering. This resigned treatment of the crucified Christ gained currency around 1200, in contrast to more upright and triumphant representations of Christ on the cross of earlier centuries.

E-29: English Roman Catholic Church in the Gothic Style, 1275-1300
Designed by Narcissa Niblack Thorne American, 1882-1966

Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook
Italian (Siena) Martino di Bartolomeo (Italian, 1389-1434/5) 1394/95

Decorated Initial "G" in Pink with Curling Leaves from a Manuscript
European