Artist unknown (Chinese, early 20th century)
Attributed in inscription to the "imperial brush"
Tree Peonies in Full Bloom
INV-2524
Artist unknown (Chinese, early 20th century)
Attributed in inscription to the "imperial brush"Qing dynasty (1644–1911), dated 1911
Tree Peonies in Full Bloom
Artist unknown (Chinese, early 20th century) Attributed in inscription to the "imperial brush" →Chinese (culture or style)hanging scrollpainting
Date
Qing dynasty (1644–1911), dated 1911
Medium
Hanging scroll; ink and colors on silk
Dimensions
131 × 52.1 cm (51 9/16 × 20 1/2 in.); Including mount and knobs: 284.8 × 83.2 cm (112 1/8 × 32 3/4 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
Gift of Mrs. William J. Calhoun
This boldly decorative painting is a significant document of Chinese-American relations. On February 17, 1913, the Empress Dowager Longyu (1868-1913) requested that it be delivered to the carriage of Mr. and Mrs. William C. Calhoun as they departed the imperial palace in Beijing. Mr. Calhoun, a Chicago attorney, had served as Envoy Extraordinary and Minister Plenipotentiary (American Ambassador) to China since 1909 and witnessed the fall of the Qing dynasty to a provisional republican government, ending China's 2000 year-old imperial system. Prince Puyi (1906-67) had ruled for three years as the Xuantong emperor, under control of his father, Prince Pu Lun, and his foster mother, Longyu. Exactly one year before the Calhouns' farewell —on February 17, 1912—his parents authorized the young boy to abdicate his throne.
The inscription to the left of the peonies and the calligraphy on the mounting above are both signed by Lu Runxiang (1841-1915), a brilliant Chinese scholar. The large seal above the flowers belongs to Longyu; the brief inscription to the right of this seal, dated 1911, describes this painting as a work of the "imperial brush." Yet the painter of these flowers remains unknown. In 1911, Emperor Xuantong would have been five or six years old, making his authorship highly unlikely.
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