Constantin Brancusi
Romanian, active France, 1876–1957
White Negress II
INV-2484
Constantin Brancusi
Romanian, active France, 1876–19571928
White Negress II
Constantin Brancusi Romanian, active France, 1876–1957 →marblestone
Date
1928
Medium
White marble, black marble, stone, and wood
Dimensions
Sculpture: 49.5 × 14.5 × 19 cm (19 1/2 × 5 3/4 × 7 1/2 in.); Black marble base: 36.9 × 36.9 × 25.4 cm (14 1/2 × 14 1/2 × 10 in.); Stone base: 53.3 × 50.8 × 42 cm (21 × 20 × 16 1/2 in.); Wood base: 45.1 × 43.2 × 35 cm (17 3/4 × 17 × 13 3/4 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
Grant J. Pick Collection
Among sculptors of his generation in Europe, Constantin Brancusi was arguably the most influenced by African art in his choices of materials and forms, but it was not until the middle of his career, in the 1920s and 1930s, that he chose to represent his impression of an African subject in two related series: White Negress and Blond Negress. According to the artist, the impetus for these works was a visit to the 1922 Colonial Exposition—an expansive exhibition demonstrating France’s dominance as a colonial power held in Marseille—where he observed a woman he understood to be of African descent. The anonymous subject, rendered as an elongated volume with just two features, lips and hair, reflected European stereotypes about African physiognomy, and presented the paradox of seeing a black body represented in light-colored materials. White in the title refers to the color of the marble, which at once relates to the tradition of marble statuary but also to an ongoing 20th-century fetishism of black bodies. In the blond versions, this same form appears in highly polished, mirror-like bronze.
Also notable
Works in the same vein
