Yoshida Chizuko
Japanese, 1924-2017
Sign (Kizashi) (artist’s proof)
INV-2171
Yoshida Chizuko
Japanese, 1924-20171970
Sign (Kizashi) (artist’s proof)
Yoshida Chizuko Japanese, 1924-2017 →Japanese (culture or style)woodblockwoodblock print
Date
1970
Medium
Color woodblock print with embossing
Dimensions
55 × 72.3 cm (21 11/16 × 28 1/2 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
Gift of Chizuko, Takasuke, and Ayomi Yoshida
Yoshida Chizuko’s work of the late 1960s and early 1970s incorporates heavily embossed, or raised, patterns on paper that make the composition appear to move or vibrate. Kizashi means “sign [of things to come],” and the embossed area at the center is colored in order to highlight the illusionistic effect. The artist’s daughter explains that this work shows a shell’s view of the sea, a place that was special for her mother, as she grew up close to the seaside and went beachcombing.
Also notable
Works in the same vein
Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858
Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858
