
Square Bowl is made from a high-grade white porcelain clay that has been forcefully manipulated by the artist, who stretched the clay to impressive thinness at the corners and left traces of his fingers along the grooves in the surface. Because of its tensile strength, porcelain clay was used by traditional East Asian potters to create intricate and refined shapes with thin walls. Here, however, the material takes on a rugged appearance that required many years of experimentation to achieve. After shaping, a transparent blue glaze was poured over the clay. It collected into droplets of glass at the bottom of the exterior sides as well as within the smoother interior, where it evokes a shallow pool of water and contrasts with the sharp outer edges.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858