Unknown Artist (Italian, 16th century)
assembled by Max Geisberg (Swiss, 1875-1943)
Quomodo debeamus uti liberalitate ad captandam multitudinis beniuolentiam (How We Must Use Liberality to Capture the Favor of the Multitude) from De Officiis by Cicero, plate 82 from Woodcuts from Books of the XVI Century
INV-1322
Unknown Artist (Italian, 16th century)
assembled by Max Geisberg (Swiss, 1875-1943)1506, assembled into portfolio 1937
Quomodo debeamus uti liberalitate ad captandam multitudinis beniuolentiam (How We Must Use Liberality to Capture the Favor of the Multitude) from De Officiis by Cicero, plate 82 from Woodcuts from Books of the XVI Century
Unknown Artist (Italian, 16th century) assembled by Max Geisberg (Swiss, 1875-1943) →woodcutprint
Date
1506, assembled into portfolio 1937
Medium
Woodcut on paper
Dimensions
Image: 5.7 × 9.2 cm (2 1/4 × 3 5/8 in.); Image/text: 26.3 × 17.9 cm (10 3/8 × 7 1/16 in.); Sheet: 31.5 × 21.8 cm (12 7/16 × 8 5/8 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
Print Sales Miscellaneous Fund
Also notable
Works in the same vein
Leaf from Decachordum Christianum by Marco Vigerio, plate 81 from Woodcuts from Books of the XVI Century
Unknown Artist (Italian, 16th century) assembled by Max Geisberg (Swiss, 1875-1943)
Leaf from Opera by Virgilius (after the Strasbourg Virgil, 1502), plate 90 from Woodcuts from Books of the XVI Century
Unknown Artist (Italian, 16th century) assembled by Max Geisberg (Swiss, 1875-1943)
A Bishop from Breuiarium iuxta ritu predicatorum, plate 83 from Woodcuts from Books of the XVI Century
Unknown Artist (Italian, 16th century) assembled by Max Geisberg (Swiss, 1875-1943)
