
Berenice Abbott’s Changing New York project, an ambitious attempt to record the rapid mutations of modern-day New York, found great support in the galleries and museums of the city. In 1930, at the beginning of her research, Abbott showed her photographs at the Museum of Modern Art, a success followed by one-person exhibitions at the Julien Levy Gallery in 1932 and the Museum of the City of New York in 1934. Abbott also received funding from the Works Progress Administration’s (WPA) Federal Arts Project, as noted in this photograph’s credit line. Her application to the WPA addressed New York’s fast tempo and emphasized “the vanishing instant,” yet Abbott’s studiously detailed compositions, prepared with a large-format camera and tripod, do not reflect this sense of rapidity. Abbott hoped her images would ultimately be valued as “memorials of the metropolis.”

Contrasting No. 331 East 39th Street with Chrysler Building and Daily News Building, Manhattan
Berenice Abbott American, 1898–1991

"El", Sixth Avenue Line, Twenty-Eighth Street Station, Manhattan
Berenice Abbott American, 1898–1991

Charles Lane, Between West and Washington Streets
Berenice Abbott American, 1898–1991