Lee Bontecou (American, 1931-2022)
etching printed by Donn Steward (American, 1921-1986)
text hand-set and hand-printed by Christopher Pullman (American, 20th century)
published by Universal Limited Art Editions (American, founded 1955)
Portfolio Box, from Fifth Stone, Sixth Stone
INV-1211
Lee Bontecou (American, 1931-2022)
etching printed by Donn Steward (American, 1921-1986)
text hand-set and hand-printed by Christopher Pullman (American, 20th century)
published by Universal Limited Art Editions (American, founded 1955)1967–68
Portfolio Box, from Fifth Stone, Sixth Stone
Lee Bontecou (American, 1931-2022) etching printed by Donn Steward (American, 1921-1986) text hand-set and hand-printed by Christopher Pullman (American, 20th century) published by Universal Limited Art Editions (American, founded 1955) →woodbox
Date
1967–68
Medium
Soft ground etching and aquatint from one plate in black ink, with letterpress in black ink, on ivory muslin
Dimensions
53.4 × 35.3 × 4.6 cm (21 1/16 × 13 15/16 × 1 13/16 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
U.L.A.E. Collection acquired through a challenge grant of Mr. and Mrs. Thomas Dittmer; purchased with funds provided by supporters of the Department of Prints and Drawings; Centennial Endowment; Margaret Fisher Endowment Fund
Fifth Stone, Sixth Stone is an illustrated book that includes seven etchings (with aquatint) by Lee Bontecou—six appear in the interior, and the seventh graces the book ’s cloth cover. Text facing the etchings describes the production, a few years earlier, of the lithographs Fifth Stone (1963) and Sixth Stone (1964).
The text is by the young poet Tony Towle, who had recently arrived at U.L.A.E. as secretary in 1964 and wrote an account of watching Bontecou make the lithographs Fifth Stone and Sixth Stone. In response, she created several etchings reminiscent of the lithographs. The fact that Bontecou decided to produce etchings that evoke the spirit of the original lithographs is part of the book’s eccentricity.
This work is part of the significant holdings in the U.L.A.E. archive owned by the Art Institute that documents the gestation of Fifth Stone, Sixth Stone. In all, the archive includes etching plates; preparatory and transfer drawings; working, trial, and artist’s proofs; as well as a prototype for the box that would contain the book.