
This sculpture depicts Gozanze Myo-o, a four-faced, multi-limb deity, trampling Daijizaiten and his consort, Uma, the gods of unruly human passion. The figure belonged to an ensemble of five sculptures arranged within the sanctuary of an Esoteric Buddhist temple. The group was known collectively as the Godai Myo-o (Five Great Lords of Light), and together the sculptures symbolize the rage against all threats to Buddhism and all obstacles to enlightenment. Such icons were introduced to Japan from China by the monk Kukai in the ninth century, and they were used in ceremonies to bless and protect the nation.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi)
Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858