
Those with devout hearts set out on medieval pilgrimages, but these journeys could also be experienced in social fellowship. The visionary English artist William Blake’s enormous frieze contains all 29 of Geoffrey Chaucer’s boisterous Canterbury Tales pilgrims, as well as a portrait of the author himself. In Chaucer’s book, each character tells stories while passing time along the way from London to Canterbury Cathedral, a pilgrimage route that rivaled the Camino de Santiago in Spain. Blake devoted reams of paper to advertise this print, describing Chaucer’s Tales as “the physiognomy or elements of universal human life.”

The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV
William Blake English, 1757-1827

Colinet Mocked by Two Boys, from The Pastorals of Virgil
William Blake English, 1757-1827

Thenot Under Fruit Tree, from The Pastorals of Virgil
William Blake English, 1757-1827