
This tall-case clock represents a masterful collaboration between two major figures in the Vienna Secession movement: the architect Josef Hoffmann and the designer Carl Otto Czeschka. Like their English counterparts in the Arts and Crafts movement, the Secessionists initially supported the credo that art is for everyone and worked to create beautiful, simple objects for everyday use. A manifestation of this philosophy was the Wiener Werkstätte, or Vienna Workshop, of which Hoffmann was a founder and Czeschka a member. Produced by the Werkstätte’s specialist craftsmen, this clock embodies the unexpected dichotomy that arose within the workshop: its early reformist ideals resulted in progressive, even avant-garde, products that appealed primarily to a privileged, sophisticated clientele. Hoffmann’s design consists of simple, architectonic forms emphasized through the bold use of stark white-painted maple and an inlaid checkered pattern. In contrast to the case’s austere rectilinearity, Czeschka designed a luxurious, hand-wrought scheme for its dial and door. The door is fashioned from hand-embossed gilt brass inset with cut-glass prisms. Its richly patterned surface decoration depicts a stylized tree of life motif.

Three–Piece Place Setting from Service No. 135
Designed by Josef Hoffmann Austrian, born Moravia [now Czech Republic], 1870-1956 Made by Sturm Vienna, 1882-1988 Retailed by Vinzenz Mayer's Söhne Vienna, 1810-1922

Butter Knife, Serving Fork, and Ladle from the Rundes Modell Service
Designed by Josef Hoffmann Austrian, born Moravia [now Czech Republic], 1870-1956 Made by the Wiener Werkstätte Vienna, 1903-1932

Movement
Marsden Hartley (American, 1877–1943)