David Octavius Hill (Scottish, 1802–1870) and
Robert Adamson (Scottish, 1821–1848)
Master Miller
INV-1008
David Octavius Hill (Scottish, 1802–1870) and
Robert Adamson (Scottish, 1821–1848)1844
19th centurysalted paper printphotographic process
Date
1844
Medium
Salted paper print
Dimensions
Image/paper: 20.4 × 15.4 cm (8 1/16 × 6 1/8 in.); Mount: 37.3 × 26.7 cm (14 11/16 × 10 9/16 in.)
Museum
Art Institute of Chicago
Location
Chicago, IL
Credit
The Mary and Leigh Block Endowment Fund
Coming from backgrounds in fine arts and chemistry, respectively, David Octavius Hill and Robert Adamson began their photographic collaboration in 1843. Hill wanted to produce a large history painting documenting the Disruption movement, which culminated in the establishment of the Free Church of Scotland. To document the more than 450 individuals who appear in the painting, Adamson made portraits of them with the calotype (paper negative) process, a technology that yielded prints rich in masses of form rather than sharp detail or tonal range. The pair made around 2,500 calotypes over the course of their remarkable five-year project, which went far beyond their initial goals before ending with Adamson's early death. Although Jimmy Miller, the son of Professor James Miller, did not appear in the painting that Hill finally completed in 1866, his father and three other family members are identifiable subjects in the grand composition.
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