Antonio’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Saint James's Vision of the Virgin of the Pillar
Attributed to Antonio González Velásquez (Spanish, 1723–1794)

"Untitled" (Portrait of Ross in L.A.)
Felix Gonzalez-Torres American, born Cuba, 1957–1996

Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois
Louis H. Sullivan American, 1856-1924

Landscape in the Style of Ancient Masters: Artist's commentary
Lan Ying (Chinese, 1585-c. 1664)

Elements of Composite Armor
German or Austrian

Resting
Antonio Mancini (Italian, 1852–1930)

"Untitled"
Felix Gonzalez-Torres American, born Cuba, 1957-1996

Virgin of the Immaculate Conception
Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)

Woman with Hair in a Bun
Julio González Spanish, 1876–1942

"Untitled" (Last Light)
Felix Gonzalez-Torres American, born Cuba, 1957–1996

"Untitled" (Silver Beach)
Felix Gonzalez-Torres American, born Cuba, 1957–1996

Bust of Paris
Antonio Canova (Italian, 1757–1822)

"Untitled" (March 5th) #2
Felix Gonzalez-Torres American, born Cuba, 1957–1996

"Untitled" (Golden)
Felix Gonzalez-Torres American, born Cuba, 1957–1996

Screaming Head
Julio González Spanish, 1876-1942

Head of Medusa
Antonio Canova (Italian, 1757–1822)

Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)

Slip of the Tongue
Nairy Baghramian German, born Iran, 1971

"Untitled" (Bloodwork—Steady Decline)
Felix Gonzalez-Torres American, born Cuba, 1957-1996

Kitchen Still Life
Attributed to Paolo Antonio Barbieri (Italian, 1603–1649)