A.’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

No. 2 Spring
A. A. Moore (English, 20th century) printed by Dangerfield Printing Company Limited published by Underground Electric Railways Company of London Limited

No. 4 spring
A. A. Moore (English, 20th century) printed by Dangerfield Printing Company Limited published by Underground Electric Railways Company of London Limited

No. 1 Spring
A. A. Moore (English, 20th century) printed by Dangerfield Printing Company Limited published by Underground Electric Railways Company of London Limited

Kew Gardens by Underground
A. A. Moore (English, 20th century) printed by Chorley and Pickersgill Limited published by Underground Electric Railways Company of London Limited

Moorbegehung (Crossing the Moor)
Dieter Appelt German, born 1935

The Awakening of Spring
A. A. Moore (English, 20th century) printed by Dangerfield Printing Company Limited published by Underground Electric Railways Company of London Limited

At the Moor
Fritz Overbeck German, 1869-1909

Shield with a Griffin's Foot and Shield with a Cock Held by a Moor
Martin Schongauer German, c. 1430/50-1491

Two Shields with a Hare and a Moor's Head, Held by a Wild Man
Martin Schongauer German, c. 1430/50-1491

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting
Francisco José de Goya y Lucientes Spanish, 1746-1828

The Moored Boat, from Cahier de six eaux-fortes, vues de Hollande
Johan Barthold Jongkind Dutch, 1819-1891

Nesting Time
A. A. Moore (English, 20th century) printed by Dangerfield Printing Company Limited published by Underground Electric Railways Company of London Limited

El Cid also takes to the field to fight against the Moors, plate 116 from Actualités
Honoré Victorin Daumier French, 1808-1879

The Moor in Harlem, from Eight Etchings
Vincent D. Smith American, 1929-2003

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting
Francisco José de Goya y Lucientes Spanish, 1746-1828

No. 3 Busways
A. A. Moore (English, 20th century) printed by Dangerfield Printing Company Limited published by Underground Electric Railways Company of London Limited

The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of Bullfighting
Francisco José de Goya y Lucientes Spanish, 1746-1828

The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting
Francisco José de Goya y Lucientes Spanish, 1746-1828

Large Interior Form
Henry Spencer Moore English, 1898–1986

Working Model for UNESCO Reclining Figure
Henry Spencer Moore English, 1898-1986