A.’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
No. 2 Spring
A. A. Moore (English, 20th century) printed by Dangerfield Printing Company Limited published by Underground Electric Railways Company of London Limited
No. 4 spring
No. 1 Spring
Kew Gardens by Underground
A. A. Moore (English, 20th century) printed by Chorley and Pickersgill Limited published by Underground Electric Railways Company of London Limited
Moorbegehung (Crossing the Moor)
Dieter Appelt German, born 1935
The Awakening of Spring
At the Moor
Fritz Overbeck German, 1869-1909
Shield with a Griffin's Foot and Shield with a Cock Held by a Moor
Martin Schongauer German, c. 1430/50-1491
Two Shields with a Hare and a Moor's Head, Held by a Wild Man
A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting
Francisco José de Goya y Lucientes Spanish, 1746-1828
The Moored Boat, from Cahier de six eaux-fortes, vues de Hollande
Johan Barthold Jongkind Dutch, 1819-1891
Nesting Time
El Cid also takes to the field to fight against the Moors, plate 116 from Actualités
Honoré Victorin Daumier French, 1808-1879
The Moor in Harlem, from Eight Etchings
Vincent D. Smith American, 1929-2003
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting
No. 3 Busways
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of Bullfighting
The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting
Large Interior Form
Henry Moore English, 1898–1986
Working Model for UNESCO Reclining Figure
Henry Moore English, 1898-1986