Gaetano’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Female Head
Attributed to Gaetano Gandolfi (Italian, 1734-1802) or possibly Matteo Bonecchi (Italian, c. 1669-1749) or Raffaello Schiaminossi (Italian, c. 1572-1622)
Vestal Virgin Tuccia
Gaetano Gandolfi (Italian, 1734-1802) or the circle of Taddeo Zuccaro (Italian, (1529-1566)
Head of a Young Woman in Profile
Gaetano Gandolfi Italian, 1734-1802
The Education of the Virgin
Bust of a Saint [St. Peter]
Ulysses Before Circe, Mercury Behind
Gaetano Gandolfi Italian, 1734–1802
Assumption of the Virgin
Attributed to Mauro Gandolfi Italian, 1728-1781
Tulipiere
Gaetano Di Gregorio Italian, born 1972
St. Gaetano of Thiene
Giovanni Domenico Tiepolo (Italian, 1727-1804) after Giambattista Tiepolo (Italian, 1696-1770)
View of the Villa Medici and Sta Trinità dei Monti from Ingres's Studio in the Pavillon San Gaetano, Rome
Achille-Etna Michallon French, 1796-1822
The Flagellation
Ubaldo Gandolfi Italian, 1728–1781
Education of Achilles, from Varii Capricci, e Paesi
Gaetano Zompini (Italian, 1700-1778) after Giovanni Benedetto Castiglione (Italian, 1609-1664)
Ceiling with Bacchus, Ariadne, Diana and Minerva
Attributed to Filippo Pedrini (Italian, 1763-1856) or Ubaldo Gandolfi (Italian, 1728-1781)
Teapot
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)