Anton’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Apotheosis of Hercules (recto); Sketches of Horse's Head, Horse's Forequarters, and Altarpiece or Ciborium (verso)
possibly Anton Domenico Gabbiani (Italian, 1652-1726) or Ciro Ferri (Italian, 1634-1689) or possibly after Pietro da Cortona (Italian, 1596-1669)
Head from Laocoon Group
Anton Domenico Gabbiani Italian, 1652-1726
Blessed Ascending to Heaven
Attributed to Giovanni Francesco Romanelli (Italian, 1610-1662) or Anton Domenico Gabbiani (Italian, 1652-1726)
Gauntlet from a Tournament Garniture of a Hapsburg Prince
Attributed to Anton Peffenhauser (German 1525—1603) Augsburg
Venus and Mars with Cupid and the Three Graces in a Landscape
Domenico Tintoretto (Italian, 1560–1635)
The Assumption of the Virgin
El Greco (Doménikos Theotokópoulos; Greek, active in Spain, 1541–1614)
Domenico da Gambassi
Andrea del Sarto (Italian, 1486–1530)
Male Nude Seen from the Back
Possibly Domenico Maggiotto Italian, 1713-1794
Mezzetino
Modeler: Bustelli, Franz Anton German, 1723-1763, b. Switzerland
Portrait of Cardinal Zelada
Anton Raphael Mengs (German, 1728–1779)
Saint Florian
Anton Eberhardt (Austrian, active 1760)
Battle of the Naked Men
Domenico Campagnola Italian, c. 1500-1564
Feast of San Domenico, Cocullo
Chim (David Seymour) American, born Poland, 1911–1956
Jupiter and Callisto
Domenico Vito (Italian, active 1576-1586) after Pierre Milan (French, died 1557) after Francesco Primaticcio (Italian, 1504-1570)
Portrait of the Artist's Father, Ismael Mengs
Close Helmet for Foot Tournament at the Barriers
Anton Peffenhauser (German, c. 1525—1603) Augsburg
Saint Francis Kneeling in Meditation
Satyr Surprising a Satyress
Giovanni Domenico Tiepolo Italian, 1727-1804
Saint Martin and the Beggar