Henry’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Milton Dictating to His Daughter
Henry Fuseli (Swiss, active in England, 1741–1825)
Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)
Sketch for "Oath on the Rütli" (recto), Female Figure (verso)
Ugolino and His Sons Starving to Death in the Tower
Henry Fuseli Swiss, active in England, 1741-1825
Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side
Perseus Starting from the Cave of the Gorgons
Attributed to Henry Fuseli Swiss, active in England, 1741-1825
Hercules Killing the Mares of Diomedes
Portrait of a Woman (Martha Hess)
The Discovery (recto), Two Sketches of Standing Male Figures (verso)
Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso)
Henry Fuseli (Swiss, active in England, 1741-1825) after Michelangelo Buonarroti (Italian, 1475-1564)
The Cave of Despair
Thetis Mourning the Body of Achilles
Mother and Her Family in the Country
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)
Odin in the Underworld
The Spirit of Knowledge
Study for Inquisition, Illustration to Columbiad
Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon
The Changeling
The Slaying of Red Comyn by Robert the Bruce