Robert’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Dead Cow
Robert Ferris American, born 1944

Diana and Endymion
probably after Ciro Ferri Italian, 1634-1689

Study of Santa Rosalia of Palermo
Ciro Ferri (Italian, 1634-1689) influenced by Baldassare Franceschini, called Il Volterrano (Italian, 1611-1690)

Portrait of Edouard Molé
Robert Nanteuil French, 1623-1678

Louis Phélypeaux de la Vrillière
Robert Nanteuil French, 1623-1678

Anne of Austria, Queen of France
Robert Nanteuil (French, 1623-1678) after Pierre Mignard I (French, 1612-1695)

Simon Vouet
Robert van Voerst (Flemish, 1597-1636/37) after Anthony van Dyck (Flemish, 1599-1641)

Champs de Mars: The Red Tower
Robert Delaunay French, 1885–1941

The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri Italian, 1634–1689

The Fountains
Hubert Robert (French, 1733-1808)

The Old Temple
Hubert Robert (French, 1733-1808)

Louis XIV
Robert Nanteuil French, 1623-1678

Short Circuit
Robert Rauschenberg American, 1925–2008

Untitled
Robert Gober American, born 1954

Robert Penn Warren
Zubel Kachadoorian American, born 1924

The Landing Place
Hubert Robert (French, 1733-1808)

Lisa Lyon
Robert Mapplethorpe American, 1946–1989

The Obelisk
Hubert Robert (French, 1733-1808)

Chalk-Mirror Displacement
Robert Smithson American, 1938–1973

Seated Madonna and Child
Possibly Ciro Ferri (Italian, 1634-1689) or a follower of Carlo Maratti (Italian, 1625-1713)