Filippo’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Pietà
Filippo Parodi (Italian, 1630–1702)
Design for an Altar in the Church of the Confraternity of Santissima Trinita, Turin
Filippo Juvara Italian, 1678-1736
Adoration of the Christ Child
Filippo Bellini or circle of Italian, c. 1550-1603
Virgin of Mercy (Madonna della Misericordia)
Attributed to Filippo Bellini, or his circle Italian, c. 1550-1603
Back View of a Seated Male Nude Holding Shepherd's Crook
Attributed to Filippo Ottani Italian, active 18th century
Nativity (recto); Virgin and Child, Angel (verso)
Hercules and Lichas
Filippo Falciatore Italian, active in Naples, 1718-1768
Ceiling with Bacchus, Ariadne, Diana and Minerva
Attributed to Filippo Pedrini (Italian, 1763-1856) or Ubaldo Gandolfi (Italian, 1728-1781)
Meeting on the River (parody of Hakurakuten)
Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770
A Chushingura Parody
Utagawa Toyokuni I 初代 歌川 豊国 Japanese, 1769–1825
Parody of Prince Genji and his procession
Rekisentei Eiri Japanese, active c. 1781–1818
Parody of Kawachi-goe from "Tales of Ise"
Attributed to Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770
The Sleeping Tea-Boy (parody of Hokaso)
An Evening Visit (A Parody of Junidan Soshi)
A Selection of Six Flowers - A Parody Rokkasen (Yatsushi rokkasen): Bishop Henjo
Chobunsai Eishi Japanese, 1756-1829
Parody of the Story of Narukami
Artist unknown Japanese
Young Woman Holding a Kerria Branch (parody of Ota Dokan)
Parody of Act VII of "The Storehouse of Loyal Retainers (Chushingura)"
A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo)