Antonio’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Portrait of a Man
Antonio Maria Esquivel (Spanish, 1806–1857)

Battle Scene
Attributed to Antonio Maria Viani Italian, c. 1555/60-1629

Resting
Antonio Mancini (Italian, 1852–1930)

The Wedding at Cana
Giuseppe Maria Crespi (Italian, 1665–1747)

Virgin of the Immaculate Conception
Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)

Bust of Paris
Antonio Canova (Italian, 1757–1822)

Head of Medusa
Antonio Canova (Italian, 1757–1822)

Friendship Quilt
Made for Ella Maria Deacon (American, 1811–94) Mount Holly, New Jersey, United States

Two Children Petting a Lamb
Conte Anton Maria Zanetti Italian, 1680–1767

Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)

A Woman, a Child, and Figures around a Pedestal
Conte Anton Maria Zanetti Italian, 1680–1767

Flight from Pompeii
Giovanni Maria Benzoni (Italian, 1809–1873)

Madonna and Child Enthroned, St. Jerome and St. Francis
Conte Anton Maria Zanetti Italian, 1680–1767

Kitchen Still Life
Attributed to Paolo Antonio Barbieri (Italian, 1603–1649)

Deposition
Antonio d'Este (Italian, 1754–1837) After Antonio Canova (Italian, 1757–1822)

Battle of the Naked Men
Antonio Pollaiuolo Italian, 1433-1498

A Woman at the Foot of a Tree Holding a Child
Conte Anton Maria Zanetti Italian, 1680–1767

The Entombment
Conte Anton Maria Zanetti (Italian, 1680–1767) after Parmigianino (Italian, 1503-1540)

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil
Antonio Vivarini (Italian, about 1415–1476/84)

Self-Portrait of the Sculptor Antonio Canova
Workshop of Antonio Canova (Italian, 1757–1822)