Maeda’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Sketch for "Early Spring in Togakushi"
Maeda Masao Japanese, 1904–1974
Black Cat in Tree
Mountain Peak
Lake Okotanpe (Okotanpe-ko)
Maeda Masao Japanese, 1904-1974
Temple Gate
Rain at Mount Moiwa (Ame no Moiwayama), from the series "Eight Views of Sapporo (Sapporo hakkei)"
The Red Gate of the Imperial University, from the series Recollections of Tokyo
Snow at Shiba Park (Yuki no Shiba koen)
Early Spring in Togakushi
View of Mount Fuji from Lake Ashi
Taiwan Pavilion, from the series "Prints of the Shinjuku Imperial Garden (Shinjuku Gyoen hanga)"
Maeda Masao Japanese, 1907-1974
Buddhist Pagoda
Korea
Rakta Yamari, a Wrathful Form of Manjushri
Tibet
View through the Sanmon Gate (Sanmon chobo)
Maeda Koichi Japanese, born 1936
Merchant's House in Takehara, Hiroshima (Hiroshima Takehara shoka)
House with Lattice Door (Koshido no ie)
A Side made of funny smoke stack (at Motojuku Elementary School) (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Maeda Morikazu Japanese
Stem-cup
China
Hopi with Manta, from Memorial Woodcut Suite
T. C. Cannon (Kiowa–Caddo, 1946–1978) printed by Uchikawa in collaboration with woodcutter Maeda published by Aberbach Fine Art (New York)
Collector #5, from Memorial Woodcut Suite