Maeda’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Sketch for "Early Spring in Togakushi"
Maeda Masao Japanese, 1904–1974

Black Cat in Tree
Maeda Masao Japanese, 1904–1974

Mountain Peak
Maeda Masao Japanese, 1904–1974

Lake Okotanpe (Okotanpe-ko)
Maeda Masao Japanese, 1904-1974

Temple Gate
Maeda Masao Japanese, 1904–1974

Rain at Mount Moiwa (Ame no Moiwayama), from the series "Eight Views of Sapporo (Sapporo hakkei)"
Maeda Masao Japanese, 1904–1974

The Red Gate of the Imperial University, from the series Recollections of Tokyo
Maeda Masao Japanese, 1904-1974

Snow at Shiba Park (Yuki no Shiba koen)
Maeda Masao Japanese, 1904–1974

Early Spring in Togakushi
Maeda Masao Japanese, 1904–1974

View of Mount Fuji from Lake Ashi
Maeda Masao Japanese, 1904–1974

Taiwan Pavilion, from the series "Prints of the Shinjuku Imperial Garden (Shinjuku Gyoen hanga)"
Maeda Masao Japanese, 1907-1974

Buddhist Pagoda
Korea

Painted Banner (Thangka) with Guru Dragpur, a Wrathful Form of Padmasambhava
Tibet

A Side made of funny smoke stack (at Motojuku Elementary School) (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Maeda Morikazu Japanese

View through the Sanmon Gate (Sanmon chobo)
Maeda Koichi Japanese, born 1936

Merchant's House in Takehara, Hiroshima (Hiroshima Takehara shoka)
Maeda Koichi Japanese, born 1936

House with Lattice Door (Koshido no ie)
Maeda Koichi Japanese, born 1936

Stem-cup
China

Hopi with Manta, from Memorial Woodcut Suite
T. C. Cannon (Kiowa–Caddo, 1946–1978) printed by Uchikawa in collaboration with woodcutter Maeda published by Aberbach Fine Art (New York)

Collector #5, from Memorial Woodcut Suite
T. C. Cannon (Kiowa–Caddo, 1946–1978) printed by Uchikawa in collaboration with woodcutter Maeda published by Aberbach Fine Art (New York)