Norman’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Bas-relief Print (Variety in Unity), plate 73 from 101 Prints
Norman Roland Eppink American, 1906-1985
Collagraph (Façade), plate 81 from 101 Prints
Cellocut (Directions), plate 82 from 101 Prints
Texture Print (Split Pea), plate 92 from 101 Prints
Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints
Pen and Ink Lithograph (Woods), plate 55 from 101 Prints
Floatagraph (Dancers), plate 97 from 101 Prints
Cliché-verre, Color Method (Figurative), plate 66 from 101 Prints
Three-Color Linoleum Cut (Doors), plate 13 from 101 Prints
Coast Line (Woodcut), plate 1 from 101 Prints
Texture Imprint (Pierced), plate 80 from 101 Prints
Color Woodcut (Textures), plate 6 from 101 Prints
Etching, Engraving, Acquaint, and Stencil Color on Plate (Two Figures), plate 40 from 101 Prints
Metal Relief (Fish Count), plate 18 from 101 Prints
Hand Colored Etching (Decay), plate 25 from 101 Prints
Serigraph, Block-Out Method (Patches), plate 60 from 101 Prints
Cliché-verre, Type 1 (Erratic Wasp), plate 63 from 101 Prints
Hand Colored Woodcut (Lost City), plate 2 from 101 Prints
Paste Print, plate printed relief (Man of the Cloth), plate 14b from 101 Prints
Hand Colored Lithograph (Landscape), plate 53 from 101 Prints