Cornelis’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Woman Milking an Ewe
Cornelis van Noorde (Dutch, 1731-1795) after Nicolaes Berchem the Elder (Dutch, 1621/22-1683)
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
View of Tivoli with the Bridge Over the Anio Waterfall
Cornelis van Poelenburgh Dutch, 1594/95-1667
Hors des chemins
Guillaume Cornelis van Beverloo Dutch, 1922-2010
A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664
Self-Portrait
Peter Isbrandi
A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
The Duke of Gloucester (Henry Stuart)
Cornelis van Dalen II Dutch, seventeenth century
Simon Vouet
Robert van Voerst (Flemish, 1597-1636/37) after Anthony van Dyck (Flemish, 1599-1641)
The Bedroom
Vincent van Gogh (Dutch, 1853–1890)
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
Charles II, King of England
Cornelis van Dalen II (Dutch, 1638-c. 1664) after Pieter Nason (Dutch, c. 1612-1690)
Summer Enchantment
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
The Large Cat