Battista’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Tomb of a Bishop
Battista Angolo del Moro (Italian, c.1515-c.1573) after Parmigianino (Italian, 1503-1540)
Christ Driving out the Money Changers
Battista Angolo del Moro Italian, c. 1515–1573 or later
Finding of Moses
The Resurrection
Christ before Pilate
Christ before Caiaphas
Tuccia
Battista Angolo del Moro (Italian, c. 1515–1573 or later) after Bernardino Campi (Italian, 1522–1595)
The Lamentation
Women Doing Needlework
Circle of Battista Angolo del Moro Italian, c. 1515–1573 or later
Cecco del Caravaggio (Francesco Boneri; Italian, 1588/90–after 1620)
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi (Italian, 1720-1778) published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9)
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Augustus and the Tiburtine Sibyl
Marco Angolo del Moro Italian, c. 1537–after 1586
Satyrs and Nymphs in a Landscape
Attributed to Marco Angolo del Moro (Italian, c. 1537–after 1586) after Titian (Italian, 1477–1576)
Christ Carrying the Cross
Sebastiano del Piombo (Italian, c. 1485–1547)
Lucrezia di Lippo di Iacopo Guidi
Andrea del Sarto (Italian, 1486–1530)
Domenico da Gambassi
Armida Encounters the Sleeping Rinaldo
Giovanni Battista Tiepolo (Italian, 1696–1770)
Rinaldo and the Magus of Ascalon
Armida Abandoned by Rinaldo