Style’s work is defined by its chinoiserie sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Panel
Design in the style of Jean Revel (French, 1684–1751) France, Lyon
Design in the style of Jean Revel (French, 1684–1751) France
Design in the style of Jean Revel (French, 1664–1751) France
In the style of Jean Revel (French, 1684–1751) France
Panel (Furnishing Fabric)
Style of Jean Revel (French, 1684-1751) France
Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)
Rogier van der Weyden (Netherlandish, c. 1399–1464) Workshop of Rogier van der Weyden (Netherlandish, c. 1399–1464)
Chasuble
Possibly based on a design by Jean Revel French, 1684–1751
Engraved by Pierre- Charles Canot (French, c. 1710-1777) and others after Jean Baptiste Pillement (French, 1728–1808) France, possibly Jouy-en-Josas
Bedcover
Design in the Style of Jean Baptiste Pillement (French, 1728–1808) France
Length of Woven Silk
Design in the Style of Jean Baptiste Pillement (French, 1728–1808) France, probably Lyon
The Last Words of Jean Jacques Rousseau
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)
Design in the Style of Jean Baptiste Pillement (French, 1728–1808) Probably France
Chef-de-piece (Furnishing Fabric)
Portrait of Jean Dolent
Eugène Carrière French, 1849-1906
Book Cover
Designed in the style of Jean Baptiste Huet (French, 1745–1811) France
Little Girl Pouting
Follower of Jean Baptiste Greuze (French, 1725–1805)
Seated Hound Beside Trees
Style of Jean-Baptiste Oudry French, 1686-1755
Man Lighting Girl's Cigarette (Jean Patchett), New York
Irving Penn American, 1917–2009