Follower’s work is defined by its sixteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Portrait of a Lady
Follower of Titian (Italian, c. 1488-1576)
Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)
Massacre of the Innocents
Circle of Tiziano Vecellio, called Titian Italian, c. 1488-1576
Portrait of Titian
Agostino Carracci (Italian, 1557-1602) after a self-portrait by Titian (Italian, c. 1488-1576)
Portrait of an Artist
Follower of Frans Hals (Dutch, 1582–1666)
Écorché before Landscape (recto); Sketches of Standing Male Nude, Seated Child, Stooping Woman (verso)
After Jan Stephan van Calcar (Netherlandish,1499-1546/50) or after Tiziano Vecellio, called Titian (Italian, c. 1488-1576)
Tobias and the Angel
After Tiziano Vecellio, called Titian Italian, c. 1488-1576
The Terrace
Follower of Canaletto (Antonio Canal; Italian, 1697–1768)
The Submersion of Pharaoh's Army in the Red Sea
After Titian (Italian, c. 1488-1576) published by Domenico dalle Greche (Italian, active 1543-1558)
Self-Portrait
after Tiziano Vecellio, called Titian Italian, c. 1488-1576
Statue of Standing Warrior, from Rear
Follower of Francesco de'Rossi, called Salviati Italian, 1510-1563
Portico with a Lantern
Christ on the Cross with Mary Magdalene
Follower of Simon Vouet (French, 1590–1649)
Portrait of Elizabeth of Austria, Wife of King Charles IX of France
Follower of François Clouet (French, before 1520–1572)
Portrait of a Court Lady
Follower of Antonis Mor (Netherlandish, c. 1517–c. 1576)
Penitent Magdalene
Portrait of Isabella of Bourbon
Follower of Peter Paul Rubens (Flemish, 1577–1640)