Anton’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Gauntlet from a Tournament Garniture of a Hapsburg Prince
Attributed to Anton Peffenhauser (German 1525—1603) Augsburg
Close Helmet for Foot Tournament at the Barriers
Anton Peffenhauser (German, c. 1525—1603) Augsburg
Mezzetino
Modeler: Bustelli, Franz Anton German, 1723-1763, b. Switzerland
Portrait of Cardinal Zelada
Anton Raphael Mengs (German, 1728–1779)
Saint Florian
Anton Eberhardt (Austrian, active 1760)
Portrait of the Artist's Father, Ismael Mengs
Beaker
In the style of Anton Kothgasser Austrian, 1769-1851 Vienna, Austria
Mourning Madonna
Nymphenburg Porcelain Manufactory (1747–present) Designed by Franz Anton Bustelli (born Switzerland, active Bavaria [now Germany], 1723–1763) Munich
Beaker with St. Stephen's Cathedral, Vienna
Anton Kothgasser Austrian, 1769-1851 Vienna, Austria
Saint George
Apotheosis of Hercules (recto); Sketches of Horse's Head, Horse's Forequarters, and Altarpiece or Ciborium (verso)
possibly Anton Domenico Gabbiani (Italian, 1652-1726) or Ciro Ferri (Italian, 1634-1689) or possibly after Pietro da Cortona (Italian, 1596-1669)
Sketches of a Lute Player and Lute
Jan Anton Garemyn Flemish, 1712-1799
Head from Laocoon Group
Anton Domenico Gabbiani Italian, 1652-1726
Portrait of Abraham Bosse
Anton Graff German, born Switzerland, 1736-1813
Saint Luke Painting the Virgin
Anton Wierix II (Flemish, 1555-1604) after Quentin Matsys (Flemish, 1466-1530)
Ruins of the Palace of the Caesars in Rome, plate eight from Die Römische Ansichten
Joseph Anton Koch German, 1768-1839
Self-Portrait before an Easel
The Quacksalver
Franz Anton Maulbertsch Austrian, 1724-1796
The Struggle Between the Devil and St Francis of Assisi for the Soul of Guido da Montefeltro, plate three from Darstellungen aus Dante's Hölle