Gabriel’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Théatre Italien, frontispiece to the Livre de Scenes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

The Life of our Lord Jesus Christ
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Page 1 (Title Page) and Page 28, from Premier Livre de Figures d’Académies Gravées en Partie par les Professeurs de l’Académie Royale
Gabriel Huquier (French, 1695-1772) after Edme Bouchardon (French, 1698-1762) published by Charles-Antoine Jombert (French, 1712-1784)

Page 30 and Page 31, from Premier Livre de Figures d'Academies Gravées en Partie par les Professeurs de l’Académie Royale
Gabriel Huquier (French, 1695-1772); after Edme Bouchardon (French, 1698-1762) Pierre Aveline (French, 1702-1760); after Charles-Joseph Natoire (French, 1700-1777) printed by Gabriel Huquier (French, 1695-1772) published by Charles-Antoine Jombert (French, 1712-1784) (French, 18th century)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Page 42 and Page 43, from Second Livre de Figures d’Académies Gravées en Partie par les Professeurs de l’Académie Royale
Gabriel Huquier (French, 1695-1772); after Charles-Joseph Natoire (French, 1700-1777) Pierre Aveline (French, 1702-1760); after Edme Bouchardon (French, 1698-1762) printed by Gabriel Huquier (French, 1695-1772) published by Charles-Antoine Jombert (French, 1712-1784)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scenes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

Plate from Livre de Scènes Comiques
Gabriel Huquier (French, 1695-1772) after Claude Gillot (French, 1673-1722)

La Liberté Americaine (American Liberty) (Furnishing Fabric)
Designed by Jean Baptiste Huet (French, 1745–1811) after medallions engraved by Augustin Dupré (French, 1748–1833) after others Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

Chinese Botanist, from Recueil de diverses figures chinoise du cabinet de François Boucher
François Boucher (French, 1703-1770) printed by Gabriel Huquier (French, 1695-1772)

The Graces on the Tomb of Watteau
François Boucher (French, 1703-1770) printed by Gabriel Huquier (French, 18th century)

Ornamental Border
Gabriel Huquier French, 1695-1772