Hans’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Morion for the Bodyguard of the Elector of Saxony
Probably Hans Michel (German, 1539-1599) Nuremberg
The Golden Wall
Hans Hofmann American, born Germany, 1880-1966
The Storm
Georges Michel (French, 1763-1843)
Virgin and Child
Hans Memling (Netherlandish, c. 1430–1494)
The Emperor Maximilian Presented to Christ by His Patron Saints
Hans Springinklee German, c. 1495-after 1522
The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)
The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)
Blue Rhythm
Image of Death (Imago Mortis), from the Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519
Portrait of a Lady
Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)
Apollo and Marsyas
Hans Thoma (German, 1839–1924)
Eight Boys
Sebald Beham German, 1500-1550
Portrait of a Donor (recto); Saint Anthony of Padua (verso)
Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)
Growth
Jean (Hans) Arp French, born Germany (Alsace), 1886–1966
The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)
Christ Carrying the Cross
Attributed to Hans Maler (German, c. 1480–by 1529)
Portrait of a Lady of the Wentworth Family (Probably Jane Cheyne)
Hans Eworth (Flemish, active England, 1545–73/74)
The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)
The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter)