Pompeo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Infantry Garniture of a Target (Shield) and Pointed Morion
North Italian; Milan

Allegory of Peace and War
Pompeo Girolamo Batoni (Italian, 1708–1787)

Time Unveiling Truth
Pompeo Girolamo Batoni (Italian, 1708–1787)

Don José Moñino y Redondo, Conde de Floridablanca
Pompeo Girolamo Batoni (Italian, 1708–1787)

Saint Andrew
Pompeo Girolamo Batoni (Italian, 1708–1787)

Study for Saint Bartholomew and Drapery
Pompeo Girolamo Batoni Italian, 1708-1787

Shipyard with Two Sailors
Stefano della Bella Italian, 1610-1664

Stag Hunt in Fan Shape
Stefano della Bella Italian, 1610-1664

The Adoration of the Magi
Pietro della Vecchia (Italian, 1605-1678)

Adoration of the Christ Child
Workshop of Andrea della Robbia (Italian, 1435–1525)

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna
Stefano della Bella Italian, 1610-1664

Equestrian Ballet in the Amphitheater of the Boboli Gardens
Stefano della Bella Italian, 1610-1664

South Facade of the Villa and the Great Meadow, from Views of the Villa Pratolino
Stefano della Bella Italian, 1610-1664

Plate Ten from Drawings of Several Movements by Soldiers
Stefano della Bella Italian, 1610-1664

Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Attributed to Stefano della Bella Italian, 1610-1664

The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)

Sketches of Standing Woman, Seated Man, Goat, and Man Carrying Box on Back
After Stefano della Bella Italian, 1610-1664

Seated Gypsy Mother and Child, with Dog
Attributed to Stefano della Bella (Italian, 1610-1664) or after Jacques Callot (French, 1592-1635)

The Opening Assembly of the Equestrian Ballet
Stefano della Bella Italian, 1610-1664

Polish Horseman
Stefano della Bella Italian, 1610-1664