Master’s work is defined by its medieval sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Bishop at Mass in a Historiated Initial "P" from a Choirbook
French or possibly southern Netherlandish follower of Master Honoré (French, flourished 1288-1300)
Joseph Sold by his Brothers
Master of the Die (Italian, active c. 1530-1560) after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Saint James the Greater
Master F.P. (Italian, c. 1530-1550) or after Girolamo Francesco Maria Mazzola, called Il Parmigianino (Italian, 1503-1540)
Saint Simon
Master F.V.B. Netherlandish, active 1475-1500
“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”
Honoré Victorin Daumier French, 1808-1879
St. Ambrose and the Emperer Theodosius
Master IRs Italian, 16th century
Aristotle and Phyllis
Master M.Z. German, active 1500-1550
Sallet (Barbuta)
Master Z O (Italian) Milan
The Large Einsiedeln Madonna
Master E. S. German, active c. 1450-1467
The Martyrdom of St. Catherine
The Woman with an Owl
After Master M.Z. German, active 1500-1550
The Beheading of St. John the Baptist
The Warriors
Ornament with Women Fighting
The Print Collector
Honoré Victorin Daumier (French, 1808–1879)
The King's Sons Shooting Their Father's Corpse
Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistes
Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle
Crucifix
Master of the Bigallo Crucifix (Italian, active mid-13th century)
A Lady Reading (Saint Mary Magdalene)
Master of the Female Half-Lengths (Netherlandish, active about 1520–1540)