Circle’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Design for a Façade Decoration
Circle of Girolamo Genga Italian, c. 1476-1551

Battle between Cavalry and Foot Soldiers
After Girolamo Genga Italian, c. 1476-1551

Mythological Pageant (recto); Illegible Inscriptions and Anatomical Studies of Head (verso)
Girolamo Genga Italian, c. 1476-1551

Aphrodite
Workshop of Girolamo Campagna (Italian, 1549–before 1625)

Standing Draped Female Figure Carrying Trumpet, Flowers
Circle of Girolamo Sellari, called Girolamo da Carpi Italian, 1501-1556

Portrait of Girolamo Ruscelli
Niccolò Nelli Italian, c. 1530-1575/85

Allegory of Peace and War
Pompeo Girolamo Batoni (Italian, 1708–1787)

Ring with Cameo Portrait of Girolamo Savonarola
Italian

The Nativity
Circle of Donatello (Italian, c. 1386–1466)

Virgin and Child with the Young Saint John the Baptist
Circle of Agnolo Bronzino (Italian, 1503–1572)

Time Unveiling Truth
Pompeo Girolamo Batoni (Italian, 1708–1787)

The Death of St. Peter Martyr
Giovanni Girolamo Savoldo (Italian, active 1506–1548)

Saint Luke Drawing the Virgin and Christ Child
Girolamo da Carpi (Girolamo Sellari; Italian, c. 1501–1556)

Don José Moñino y Redondo, Conde de Floridablanca
Pompeo Girolamo Batoni (Italian, 1708–1787)

The Annunciation
After a design by an artist in the circle of Andrea Mantegna (Italian, 1431–1506)

Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps
Girolamo Macchietti, after Italian, c. 1535-1592

Judith with the Head of Holofernes
Girolamo Mocetto (Italian, c.1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)

The Calumny of Apelles
Girolamo Mocetto (Italian, c. 1470-after 1531) after Andrea Mantegna (Italian, 1431-1506)

Frieze with Tritons and Nymphs
Girolamo Mocetto Italian, c.1470-after 1531

Male Nude Tied to Tree
Circle of Peter Paul Rubens (Flemish, 1577-1640) retouched by Peter Paul Rubens