Follower’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Seated Male Nude
Follower of Jacopo Chimenti, called Jacopo da Empoli Italian, 1551-1640
Portrait of a Noblewoman Dressed in Mourning
Jacopo da Empoli (Jacopo Chimenti; Italian, 1551–1640)
Standing Male Figure
Jacopo Chimenti, called Jacopo da Empoli Italian, 1551-1640
Holy Family in Joseph's Carpentry Shop
Circle of Jacopo Chimenti, called Jacopo da Empoli Italian, 1551-1640
Roman Portrait Bust
Follower of Jacopo Robusti, called Tintoretto Italian, 1519-1594
Female Head in Profile to the Left; Sketch of Trees and Building
Follower of Jacopo Bassano Italian, c. 1510-1592
Portrait of an Artist
Follower of Frans Hals (Dutch, 1582–1666)
Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso)
Follower of Leonardo da Vinci Italian, 1452-1519
Heads of Horses and Unicorns
The Institution of the Rosary
Attributed to Jacopo Sansovino (Italian, 1486–1570)
The Battle around the Shield and Lance
Giovanni Jacopo Caraglio (Italian, 1500/05–1565) after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Adoration of the Shepherds
Follower of Jacopo Negretti, called Palma il Giovane Italian, c. 1548-1628
Death of Cleopatra
Follower of Daniela da Volterra (Italian; 1509-1566) or circle of Rosso Fiorentino (Italian, 1494-1540)
Christ Healing the Paralytic or Christ and the Adulteress
Diana and Actaeon
Jacopo Bassano (Italian, c. 1510-1592)
The Judgement of Midas: Apollo and Pan
Circle of Jacopo Zanguidi, called Bertoia Italian, 1544-1573/74
Christ in the Garden
Attributed to Giovanni Stefano Marucelli (Italian, 1586-1646) or the circle of Jacopo Chimenti, called Jacopo da Empoli (Italian, c. 1554-1640)
The Nativity and the Adoration of the Shepherds
Nicoletto da Modena Italian, active c. 1500–c. 1520
The Terrace
Follower of Canaletto (Antonio Canal; Italian, 1697–1768)
Virgin and Child with the Young Saint John the Baptist