Circle’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Judgement of Midas: Apollo and Pan
Circle of Jacopo Zanguidi, called Bertoia Italian, 1544-1573/74
Study for the Rape of the Sabines
Joshua Commanding the Israelites
Circle of Jacopo Zanguidi, called Bertoia (Italian, 1544-c.1573) or Circle of Federico Zuccaro (Italian, 1540/41-1609
The Institution of the Rosary
Attributed to Jacopo Sansovino (Italian, 1486–1570)
Holy Family in Joseph's Carpentry Shop
Circle of Jacopo Chimenti, called Jacopo da Empoli Italian, 1551-1640
Last Judgement
Circle of Jacopo Negretti, called Palma il Giovane Italian, c. 1548-1628
The Battle around the Shield and Lance
Giovanni Jacopo Caraglio (Italian, 1500/05–1565) after Raffaello Sanzio, called Raphael (Italian, 1483-1520)
Seated Saint John the Baptist
Roman Portrait Bust
Follower of Jacopo Robusti, called Tintoretto Italian, 1519-1594
Diana and Actaeon
Jacopo Bassano (Italian, c. 1510-1592)
The Nativity
Circle of Donatello (Italian, c. 1386–1466)
Virgin and Child with the Young Saint John the Baptist
Circle of Agnolo Bronzino (Italian, 1503–1572)
Female Head in Profile to the Left; Sketch of Trees and Building
Follower of Jacopo Bassano Italian, c. 1510-1592
Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)
Seated Male Nude
Follower of Jacopo Chimenti, called Jacopo da Empoli Italian, 1551-1640
Portrait of a Noblewoman Dressed in Mourning
Jacopo da Empoli (Jacopo Chimenti; Italian, 1551–1640)
The Annunciation
After a design by an artist in the circle of Andrea Mantegna (Italian, 1431–1506)
Male Nude Tied to Tree
Circle of Peter Paul Rubens (Flemish, 1577-1640) retouched by Peter Paul Rubens
Annunciation to the Shepherds
After Jacobo Bassano (Italian, c. 1510-1592)